Leave your feedback Share Copy URL https://mypepack.gophersport.com/video/?vid=mZAt5UzMNwp Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Betye Saar: Symbols in Call and Response [X1lX7snjGAf] Health Updated on August 07, 2026 EDT — Published on August 07, 2026 EDT Explore ‘Betye Saar: Call and Response’ with Associate Curator Leigh Arnold, who provides a key to Saar’s symbolic lexicon and shares the many layers within the work of Betye Saar. One of the most significant assemblage artists working today, Betye Saar (born 1926, Los Angeles) addresses spirituality, gender, and race in her art. Part of the strong Southern California tradition of artists using found objects (including Edward Kienholz, John Outterbridge, and Noah Purifoy), she combines items typically discovered at flea markets and secondhand stores into conceptually and physically elaborate creations. Saar’s creative process, however, does more than reflect on the outside world; she ruminates on and plays with objects and ideas, making sketches inspired by specific items in her possession. These sketches form an essential part of what she considers the mysterious transformation of object into art. LEARN MORE: YDkh0swJORy o7jCqYsY2mB eNVgP6KMeW2 CAa4OuGcA3I IGkfI0bXMH6 dsWBL3wK0Vw QGF1xM11fGE
Explore ‘Betye Saar: Call and Response’ with Associate Curator Leigh Arnold, who provides a key to Saar’s symbolic lexicon and shares the many layers within the work of Betye Saar. One of the most significant assemblage artists working today, Betye Saar (born 1926, Los Angeles) addresses spirituality, gender, and race in her art. Part of the strong Southern California tradition of artists using found objects (including Edward Kienholz, John Outterbridge, and Noah Purifoy), she combines items typically discovered at flea markets and secondhand stores into conceptually and physically elaborate creations. Saar’s creative process, however, does more than reflect on the outside world; she ruminates on and plays with objects and ideas, making sketches inspired by specific items in her possession. These sketches form an essential part of what she considers the mysterious transformation of object into art. LEARN MORE: YDkh0swJORy o7jCqYsY2mB eNVgP6KMeW2 CAa4OuGcA3I IGkfI0bXMH6 dsWBL3wK0Vw QGF1xM11fGE