Leave your feedback Share Copy URL https://mypepack.gophersport.com/video/?vid=F4SnOSGUz1I Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Outten Visiting Artist Lecture: Alison Saar (April 4, 2017) [KnWqXCGsX40] Health Updated on August 10, 2026 EDT — Published on August 10, 2026 EDT Saar’s artistic style encompasses a multitude of personal and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints become powerful totems exploring issues of gender, race, heritage, and history. In 2016, Randolph College acquired Saar’s woodcut "Backwater Blues" (2014), included in the exhibition, "Investigating Identity: Race, Gender, and Sexuality in Contemporary Art" (on view Feb. 3 - April 9, 2017). Also included in the exhibition is "Nevermore," a mixed-media work by her mother, acclaimed collagist and assemblage artist, Betye Saar. NN3IWjjP6rK 2Q7cUMjeQlH RXcQ26YXi6e 6lDuFxdZOCg fIyV5d8MK4H eZvTsHaNSPF xKqr3y53Kmg
Saar’s artistic style encompasses a multitude of personal and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints become powerful totems exploring issues of gender, race, heritage, and history. In 2016, Randolph College acquired Saar’s woodcut "Backwater Blues" (2014), included in the exhibition, "Investigating Identity: Race, Gender, and Sexuality in Contemporary Art" (on view Feb. 3 - April 9, 2017). Also included in the exhibition is "Nevermore," a mixed-media work by her mother, acclaimed collagist and assemblage artist, Betye Saar. NN3IWjjP6rK 2Q7cUMjeQlH RXcQ26YXi6e 6lDuFxdZOCg fIyV5d8MK4H eZvTsHaNSPF xKqr3y53Kmg