Leave your feedback Share Copy URL https://mypepack.gophersport.com/video/?vid=3XAPXCKHeU3 Email Facebook Twitter LinkedIn Pinterest Tumblr Share on Facebook Share on Twitter Outten Visiting Artist Lecture: Alison Saar (April 4, 2017) [H5EHItYvy4O] Health Updated on August 10, 2026 EDT — Published on August 10, 2026 EDT Saar’s artistic style encompasses a multitude of personal and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints become powerful totems exploring issues of gender, race, heritage, and history. In 2016, Randolph College acquired Saar’s woodcut "Backwater Blues" (2014), included in the exhibition, "Investigating Identity: Race, Gender, and Sexuality in Contemporary Art" (on view Feb. 3 - April 9, 2017). Also included in the exhibition is "Nevermore," a mixed-media work by her mother, acclaimed collagist and assemblage artist, Betye Saar. vmlIt1OwMvG 8sDYdViuLjL 9Akk6CeY77Q pa4AfSBxC2K ol5EJmDmhjb uiATxyZskAP nBE42IMgmwn
Saar’s artistic style encompasses a multitude of personal and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints become powerful totems exploring issues of gender, race, heritage, and history. In 2016, Randolph College acquired Saar’s woodcut "Backwater Blues" (2014), included in the exhibition, "Investigating Identity: Race, Gender, and Sexuality in Contemporary Art" (on view Feb. 3 - April 9, 2017). Also included in the exhibition is "Nevermore," a mixed-media work by her mother, acclaimed collagist and assemblage artist, Betye Saar. vmlIt1OwMvG 8sDYdViuLjL 9Akk6CeY77Q pa4AfSBxC2K ol5EJmDmhjb uiATxyZskAP nBE42IMgmwn